Watch Take This Waltz Movie Online No Survey When Margot (Michelle Williams), 28, meets Daniel (Luke Kirby), their chemistry is intense and immediate. But Margot suppresses her sudden attraction; she is happily married to Lou (Seth Rogen), a cookbook writer. When Margot learns that Daniel lives across the street from them, the certainty about her domestic life shatters. She and Daniel steal moments throughout the steaming Toronto summer, their eroticism heightened by their restraint. Swelteringly hot, bright and colorful like a bowl of fruit, Take This Waltz leads us, laughing, through the familiar, but uncharted question of what long-term relationships do to love, sex, and our images of ourselves. -- (C) Official Site Release Date Take This Waltz Jun 29, 2012 Limited | |
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Actors For Take This Waltz |
Michelle Williams,Seth Rogen,Luke Kirby,Sarah Silverman,Jennifer Podemski,Diane D'Aquila,Vanessa Coelho,Graham Abbey,Damien Atkins,Aaron Abrams,Dyan Bell,Albert Howell,Danielle Miller,Matt Baram,Avi Phillips,Diane Flacks,Cheryl MacInnis,Ciaran MacGillivray,Roy MacNeil,Sandy MacLean |
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Genres Take This Waltz : Drama,Romance,Comedy |
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User Ranting Take This Waltz : 3.3 |
User Percentage For Take This Waltz : % |
User Count Like for Take This Waltz : 13,142 |
All Critics Ranting For Take This Waltz : 7 |
All Critics Count For Take This Waltz : 127 |
All Critics Percentage For Take This Waltz : 78 % |
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Review For Take This Waltz |
Polley (who's been an actress herself) never judges these people she's created. Instead, she depicts the giddy, fleeting and illusory nature of new love, and lets us get caught up in it, too. Christy Lemire-Associated Press
No one's a cliche; no one speaks dialogue the viewer could have muttered a beat or two ahead of the movie; no one hews to a mode of behavior fabricated to explain away his or her irrational behavior. John Anderson-Newsday
[It] often feels thin and self-conscious. John Hartl-Seattle Times
Williams lives and breathes her role, Kirby is charming and real, and you actually start to ache and empathize with Rogen - the emptiness and heartache he conveys when Lou and Margot finally thrash things out is crushing. Steven Rea-Philadelphia Inquirer
Both the small moments and the end product of Waltz are quietly sublime. Chris Vognar-Dallas Morning News
If uncompromising honesty is the quality you seek for a film, Michelle Williams is your go-to star. Bill Goodykoontz-Arizona Republic
This is finely-judged filmmaking from a writing and directing talent to watch. Catherine Bray-Film4
A mess of the sort that only a brilliant person can slop up on there. Tim Brayton-Antagony & Ecstasy
The gorgeous photography gives summertime Toronto a steamy, sexy glow and the music (including the Leonard Cohen song that provides the title) adds to the film's air of yearning. Jason Best-Movie Talk
Though nicely shot and well acted, especially by Michelle Williams, this is a minor, conventional work and a step down for Polley after her splashy directing debut, Away from Her. Emanuel Levy-EmanuelLevy.Com
Intriguing, but wispy and built on unlikable characters doing shallow and unpleasant things. Roger Moore-McClatchy-Tribune News Service
This slice-of-life character study doesn't tell the whole story. Rather, this is a glimpse into a short part of the life of a woman who seems a lot like an enigma. Robert Roten-Laramie Movie Scope
Polley's sophomore feature fumbles between reality and fantasy, often insightful but frequently ungrounded. Dig that carnival ride, though. Rob Humanick-Projection Booth
Can a marriage crumble gently? Robert Denerstein-Movie Habit
Despite flying perilously close to neurotic indie 'quirkiness', Polley's well considered screenplay and Williams' charming screen presence mean that the film will encourage a wealth of post-viewing dissection. Mary Clare Waireri-Fan The Fire
Films like this can, and have, worked before, but unfortunately Polley decided to make her take on this story very plain and bland. Jeff Beck-Examiner.com
Like its title, Take This Waltz is sometimes conceptually awkward - but it's also occasionally funny, steamy and always well photographed. Graham Young-Birmingham Post
This film's saving grace is Williams whose character follows another tormented path of self-discovery/preservation ... Lisa Giles-Keddie-HeyUGuys
...smug and horrible, a story about nasty twenty somethings who assume the world should care about them because they're attractive and aspire to arty lifestyles. Philip Martin-Arkansas Democrat-Gazette
Williams works her adorable little chipmunk cheeks to the bone in a typically weighty role. Charlie Lyne-Ultra Culture
Sins and all, I ended up liking Sarah Polley's sophomore directorial effort for its unresolved, warm-to-the-touch emotions Fernando F. Croce-CinePassion
Margot is silly and annoying, but three-time Oscar nominee Michelle Williams' makes her conflicted character believably real. Meanwhile, contrivances, indie-film clichés and overall misery make the movie an unhappy dance marathon. John Wirt-Advocate (Baton Rouge, LA)
Polley is very good at depicting the small highs and lows of modern relationships - the frequent poignant moments of everyday intimacy will doubtless strike a chord with many couples. Damon Wise-Radio Times
Many films go to great lengths to inspire an emotional response, but annoyance probably shouldn't be a high priority. William Bibbiani-CraveOnline
Remarkable and immensely moving. Philip French-Observer [UK]
Polley is a subtle filmmaker, and a surprising one, too. Kimberley Jones-Austin Chronicle
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